Showing posts with label choirs. Show all posts
Showing posts with label choirs. Show all posts

Friday, January 14, 2011

The choir party: good food and good company

Last night we entertained the choir members from Glen Cairn United Church's Senior Choir to a pot luck supper. Lots of good food and good company. The choir filled our basement studio. Many compliments were made about the decor and the massed baskets there.




Upstairs there were just as many choir members, eating, chatting, eating some more and just enjoying the company of friends.







Later, the choir gave our choir directors (Lori on the left and Bev on the right) gifts to show our appreciation of their efforts with us. Our Minister insists this choir is the best church choir he has experienced in his many years of Ministry.

We ended the evening by practicing the hymns and anthem for Sunday as well as the intoxicating tango rhythm of the Song of Solomon anthem, Rise Up My Love, scheduled for the 23rd.

Note: The word of the Day was "Numinous"; "filled with a sense of the presence of the divinity."
"As she listened to the church choir sing, Beth was overcome by a sense of numinous awe." We can only aspire to sing in such a manner.

Monday, November 29, 2010

"We the men of Ottawa are."


"We the men of Ottawa are" is the song sung by the men's choir last night at the Choir Show at Glen Cairn United Church. I am in this photo singing my solo verse at the front of the Gabriel's Chorus.

The song was sung in harmony to the tune of "We three kings of Orient are."

A barbershop quartet from the Chorus sang the first verse of Three Kings as follows"

We three Kings of Orient are,
Bearing gifts we traverse afar.
Field and fountain, moor and mountain,
Following yonder star.


O star of wonder, star of night,
Star with royal beauty bright,
Westward leading, still proceeding,
Lead us to thy perfect light.

Our leader then broke in to suggest we needed to sing the modern 21st century version:

The chorus then sang:

We the men of Ottawa are.
Buying gifts we go very far.
Centrum, Bayshore, going from store to store
So we'll be someone's star.

(Centrum and Bayshore are Ottawa shopping malls.)

O Amex, Visa, cards so right,
Use them all so shiny and bright.
So misleading, never heeding
Payments then go out of sight.

Our lead tenor then sang a solo:

Home depot, Canadian Tire
Socket wrench and tongue and groove pliers.
Golf town, Winners, Home Outfitters,
We are the super buyers.

Refrain.

Our lead bass then sang his solo:

We are men, we're feeling abused.
Buying gifts, we're always confused.
Scarf of sweater? Which one's better?
With gift cards we just can't lose.

Refrain.

It was then my turn to sing the verse I had written:

Ties I receive and manly perfume,
Gifts I hate and never consume.
Senators' Tickets, Those'd be wicked,
Then I would really swoon!

Refrain.

(
The Ottawa Senators are Ottawa's National Hockey League team.)

The performance was one of the hits of the show!





Monday, May 3, 2010

Jailhouse Rock: Number 47

In preparation for the annual Choir Show, I have prepared my costume in my role as Prisoner Number 47 in Elvis's Jailhouse Rock. The mug shots are here.






All the choirs at the church are involved in the celebration of Elvis's 75th birthday, even the Cherub Choir.







I am part of the Gabriel's Chorus, the Men's Choir, that sings and acts out "Jailhouse Rock". The men also are the backup group, The Glen Cairnaires, for "Can't Help Falling in love."

I also sing with the Senior Choir in "American Trilogy" composed of Dixie, Battle Hill of the Republic and All My Trials.

Dress rehearsal is on Thursday night and the show on Saturday. Break a leg!

Wednesday, March 17, 2010

Preparing for Palm Sunday's Cantata.


Anne and I are members of the Senior Choir at Glen Cairn United Church. Anne sings Alto and I bass. Every Easter since we joined the choir on moving to Ottawa in 2001, the choir practices and prepares a great deal of music for the Easter period. This year is no exception as we prepare to sing the Cantata, "Behold the Holy Lamb" on Palm Sunday. Unfortunately, Anne and I have missed the last four weeeks of practices and Palm Sunday is a week this Sunday.
Fortunately, one of the choir directors, Bev, sent us, over the inter-net, recordings of the music so we can practice at home. In one set of recordings, Bev picks out the alto line and on another set she picks out the bass line. Its like choosing something from I-tunes as we each select the recording we want to hear, and then sing along.
For me this practice at home is essential. Yesterday was the first time in a month that my cough was sufficiently absent that I could actually sing. My voice was weak and strained, but I could rehearse the familiar and unfamiliar lines of music. There are five selections in the cantata. I am familiar with some sections of three of them. If I practice every day from now on for an hour each day I will get to know the bass lines quite well.
I still have difficulty reading music. (Anne is pretty good at sight reading given her piano playing background.) My formal training in music took place in England in the late 1940s and early 1950s via the schools' radio broadcast, "Rythm and Music." Memory says this was a weekly broadcast that took the place of music education at the "Top School" in the village of Cheddleton.
Through these broadcasts I learned all about note values for crotchets, quavers, minims and even semi-demiquavers. From 2001 on, in Glen Cairn, I have had to forget this learning as the choir directors talk about quarter notes, halfnotes etc. Through the broadcasts I learned that a note placed higher on the staff is sung higher, and a lower note sung lower. I learned to visually note the reference of one note to the next and try to sing it higher or lower. Problems came (and still come) when I reach the end of a line of music and I cannot see where the note on the next line sits in relation to the last.
The fact that notes have letter names (A, Cflat etc) is a mystery to me. And key signatures are a foreign language too. I can now recognise that a particular note is sung slightly higher or lower than expected if it has a sharp or flat symbol in front of it, but still have problems identifying which is which.
Given this level of musical knowledge, I find Bev's I-tunes so very useful. I don't have to worry about what happens as I move from line to line, nor worry about key changes or sharps and flats. I just have to learn by ear as I have learned in the past. Thanks, Bev.